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RIP Hayden Burvill of WEVO

RIP Hayden Burvill of WEVO

It’s been a sad February, as my good friend Hayden Burvill passed away. Hayden was not only the brains behind WEVO, but also a passionate man living a full and inspiring life. His name appears all over the blog and my experience of being partly (unknowingly) mentored by him is woven throughout the last 18 years of my life. I will miss him. Let’s have a look back on some of his and our history. There is a memory board for Hayden Burvill here.

Hayden and me c.2009(?) with some massive Porsche-fitment Campagnolos from the WEVO stash

Hayden grew up karting, and started autocrossing in Australia in 1981. Graduating with a BA in Industrial Design from Curtin University in Western Australia in 1985, Hayden Burvill began a career in race car engineering. In 1992, he started at the back end of the Formula 1 grid, running Roberto Moreno. He always laughed about this as the Andrea Moda team was running on less than a shoestring. There followed spells with Allard, Reynard and G Force, where Hayden had a hand in designing some rather successful Indy cars.

In 1995, he came to IMSA racing, on Spice Chevrolet and Courage V8s. The next ten years brought Indy, Rolex 24 and ALMS engineering engagements, and the start of WEVO.  In 2005, he engineered the Ferrari 360 for JMB Racing. Later that year, Hayden went to Brumos, to engineer the famous number 59 DP Porsche for the 2006 and 2007 seasons. He continued race engineering well into the 2010s at Le Mans and in the US. He also engineered a production Carrera GT to the US closed-course speed record. He kept that one quiet – I found out by accident.

In the period from 1996 to 1999, everything changed as WEVO was born. The young Australian race engineer and design graduate, who had abandoned the glamour circus of F1 and arrived in America to work in GT racing, spotted an ad for a 1972 911 in search of a new home.

“I’d owned a 911 in the USA since 1996: a ’77 S. We’d been using it to develop the XT-915 ‘dog box’ transmission, our Gateshift kit, shift coupler and suspension parts. When we (we being H and wife Tracey) decided to expand our WEVO Porsche parts idea, I felt we had to go for an early car that would represent the business and our catalogue more effectively.

“Identifying 1972 as my ideal year, I targeted just those cars. Back then, I was working for Dick Simon’s Indy Car team and flying all over the USA. I carried $15,000 with me everywhere and scanned the classifieds wherever we stopped.

“I saw cars all across America: North Carolina, Texas and Oregon spring to mind. Eventually, I spotted an ad in our local San Francisco paper. It was a ‘72T in Gulf Orange, for sale across the bay in Oakland. The odometer had just clicked over and it sounded like a decent car, so I went to see it.

“The owner was a car guy but no Porsche expert: I knew more than him. The car had sports seats, a vintage Prototipo and beautiful patina. We agreed a deal and I bought it on the spot.

“High level motorsport looks glamorous, but the reality is all hard slog. Unwinding is important. I started autocrossing in Australia in 1981, so that’s my switch-off. We found the Porsche Club had a vibrant autocross scene here, so we began to bring the orange car along.”

WEVO the brand came from Windrush Evolution; Windrush being the racing boats designed and made by H and brother Brett in Australia. Hayden was not obsessed by branding – he would happily have used any short name he could buy the dot com for. But WEVO it was and what a brand it became within our small niche of the Porsche world. H’s MO was always to either significantly improve on what Porsche had designed – work that he always held in high esteem – or to leave it alone. I am proud to run WEVO parts on my own 911.

Hayden in teach mode – photo by Jamie Lipman©

Where do I start with my love for this man. I first heard of Hayden (we always called him H) after Jamie (Lipman) had been to California with Steven H and ran out of gas in a 911 RS. Hayden came to rescue him. I seem to remember Jamie describing H as a sort of Aussie surf dude mechanic rock guitar guy in shorts with a wild sense of humour and telling me I had to meet him. That opportunity came a few months later when J and I took our first trip to CA. It was a travel disaster that saw us arrive at R Gruppe Treffen at bed time and exhausted from transit through Chicago on a Friday night. We had enough time to drop into WEVO on the way home and an enduring friendship was formed.

Hayden was careful with his time and attention, but when he gave it it was always given generously. His appetite for curry was legendary and we spent some great nights in the curry house around the corner from my place, which he enjoyed. I introduced him to Tuthills and Twinspark Racing and EB Motorsport and he had some adventures with all of them.

His run on the Peking to Paris Rally with Steven in Lola the Porsche 356 led to meeting former McLaren team boss Alastair Caldwell and their forming the most excellent friendship. H built a 912 for the two to rally from London to Cape Town, they also tried another event which took an early bath. They had a superb chemistry and it was fun to be around both of them, together or separately. I am blessed by my time with these two very enjoyable men and all the people I encountered with and through H. His intense curiosity meant he knew a lot of folks!

Hayden and Alastair – good times in California

Over the years we collaborated on so many projects together, including WEVO Europe with Twinspark, which I was a partner in at the time, I blogged all of his endurance rally exploits on both the WEVO website and on my own blogs, built the Porsche 356 5-speed website with meticulous oversight from himself, covered thousands of miles in WEVO cars including Steven’s beautiful fleet that H built, enjoyed his and Alistair’s combined craziness, wrote god knows how many Porsche stories, did some Tuthill stuff including sequential gearbox work, had a bunch of EB Motorsport fun, compared notes on life events and WEVO deals and just enjoyed our man-to-man dialogue. I also spent our time together trying to buy his prototype brakes for my car, but he wouldn’t have it at any price!

H was also great with youngsters; my kids loved him and still remember his energy. I remember Arjen B’s son Derek doing time with H and having a ball. Below is a pic of a dinner on the beach at Zandvoort with Mark, James and Jayne from EB and the six of us had a good night. I had a few nights on the whiskey with H in San Ramon and that was a laugh – he loved craft whiskey and dreamed of making his own. Tracey and H were huge F1 fans and we always had good fun with that.

It was so sad when I heard that H had a health issue, right when it seemed that life had awarded him an exciting new chapter. I reached out a few times but did not hear back – I figured he was taking some time to absorb it. I was mid-divorce and running a challenging domestic environment with kids keen to push the boundaries, and my own parents died around the same time, but I would occasionally see an instagram like or similar from him. And then my divorce was done and I was planning a CA trip and Fishcop (John F) emailed to say he was gone. I’m told that he was very brave all the way through his treatment and at the end went on his own terms with dignity. 

For me, he remains an ever-present part of my daily experience. H had an immense work ethic, intelligence, high standards, joi de vivre (let’s say 95% of the time) and a warm willingness to give his attention to people he selected quite carefully. He was disarmingly honest – I had more than one critical review from H which I didn’t ask for, but always appreciated! Here’s an example (on Steven’s Aga Blue ’67 911S, which I wrote as a tour of the Bullitt car chase route in San Francisco:

Great piece of work, beautiful combination of words and images that are obviously close to my heart for many, many reasons. I love how the vintage vibe of the subjects, both car and your film recollections manage to veneer over the modern cityscape and make it all revert to 1970, its a combination of however Jamie processed those images and the continual return to the past in the dialogue. Absolutely excellent! Constructive criticism, because I know not everyone would bother to give you some. The evidence that the piece is well researched could be more transparent. There are times when it jumps directly from one collected fact to the next – from a different source – and your writing style does not fully disguise that. As a result it goes from being a John Glynn piece to a piece of John Glynn’s homework and back again. I know you are proud of this and rightly so, so take my CC as a boost, not a slap.

Hayden driving Lola in France towards the Channel Tunnel and on to a curry night – pic ©James Lipman

I cannot express how much joy I absorbed from our friendship over the years. A quote he once shared, which to me encapsulates his attitude perfectly: “Absolutely nothing less gratifying than praise from an incompetent, and ordinary work being overrated by those with low standards”. That still makes me laugh; he hated shit work and fake people.

So long H, you beauty. On the one hand, I will and do miss you. On the other, you are not far away mate. Forever at the table when the lime pickle arrives, or by the fire when the whiskey is poured.

Featured image and 356 tracking shot by James Lipman© – The rest are by me or Hayden or Jamie!

Guy Allen: Kinetic

Guy Allen: Kinetic

Inimitable graphic artist and illustrator Guy Allen has just released another great series of classic car prints. Titled Kinetic, Part 1 is a four-car series featuring the 1973 911 Carrera RS, Jaguar E-Type, Lamborghini Miura and BMW CSL.

Guy Allen Kinetic Prints Framed

I have been captivated by Guy’s work for over 15 years, ever since seeing his first Felix Petrol cartoon. Our freelance paths have intersected many times over the years and he was the obvious choice of collaborator on two series of t-shirts and prints we produced for my Impact Bumpers Porsche forum in the late 2000s.

Guy has the knack of picking up on an idea and quickly understanding the basic dynamic concept, but then taking it further in exciting and engaging ways that one has not imagined. Some of his finest work involves the 911 and I have many of his prints in my small collection.

The latest print in my collection features the Carrera RS. This classic design blending so much Porsche iconography – including the Carerra side stripe, ducktail spoiler and Fuchs alloy wheel – must be one of the most illustrated 911s ever, but Guy again manages to bring something new to the legend. A hat tip also for resisting the urge to widen the wheels and tyres and lose the knife-edge nature of those early ’70s 911s, balletically balanced on the tiptoe of the tyres as they chase driving nirvana. It is no surprise that his artistry is often commissioned by Porsche itself.

Guy Allen development sketches for Kinetic

If you have not got some of Guy’s work, I encourage you to start with the Kinetic Carrera RS. The print is limited to 100 signed and numbered examples and his Porsche works tend to sell out pretty quickly. Printed on archive quality paper using pigment inks, the large A3 work ships unframed and worldwide shipping is free.

New Guy Allen Porsche Art Notebooks

New Guy Allen Porsche Art Notebooks

The key to an enjoyable freelance career is realising one’s most exciting ideas. Saving ideas – good or bad – for future reference is crucial, and a solid notebook habit soon becomes one of the most important practices in a freelancer’s life.

A notebook is not just a writing space: it is also a thinking space. My pile of colourful A5 moleskine notebooks dates back to the mid-2000s, when I first starting writing about Porsche. Their contents are interwoven with several thousand voice memos and tens of thousands of iPhone images shot over the last twenty years.

I therefore regard my notebooks with great affection and appropriate respect and so I was delighted to get an email from my friend Guy Allen last week about a new range of notebooks he has designed in collaboration with German publisher, Dingwort Verlag.

The A5 notebooks contain 176 pages of sustainably sourced 120gsm Munken paper, with a subtle dot grid printed on each page. The recycled leather covers are screenprinted with some of Guy’s most iconic print designs. The covers have a soft-touch coating and a smooth textural finish. Solid thread stitching and a round spine allow the books to lie flat when open. Rounded corners and black edges help to protect against wear and tear.

Guy sent me a notebook to experience the quality. He chose to send his 911 print – one of my favourites and in my Guy Allen collection. It arrived just in time, as I was on the last two pages of my most recent notebook, so today is my first day using this one. My Lamy Al-Star workpens seem to agree with the very beautiful paper and I have several big classic car valuation reports to get through this week, so I will enjoy filling this with thoughts, ideas and conversation notes and whatever else sparks my awareness.

The Guy Allen Art notebooks are available to buy direct from Dingwort Verlag and no doubt they can ship in time for Christmas. I am tempted to add the Col de Turini and Salzburg 917 designs to an order. Guy’s work is beautiful, so I am delighted by the prospect of having it in my hands and on my desk every day.

Rare Air at Saratoga Springs

Rare Air at Saratoga Springs

The beautiful Porsche collection of Steven Harris is about to go on show at the Saratoga Automobile Museum in Saratoga Springs, New York. Running through to autumn 2021, the exhibition includes many significant models in original factory condition, but also some cars that were modified to match the owner’s intentions. The list of air-cooled Porsches on show includes:

  • 1956 356A Carrera Coupe
  • 1957 356A Carrera Speedster
  • 1958 356A Carrera GT Coupe
  • 1959 Carrera GS Cabriolet
  • 1960 356B T5 Roadster
  • 1963 Carrera 2 GS Cabriolet
  • 1964 356C Couple – Peking to Paris Rally car
  • 1973 911T “SHTang”/RGruppe
  • 1973 911 Carrera RS
  • 1974 911 Carrera RS 3.0
  • 1984 911 SCRS
  • 1992 964 911 Carrera RS Lightweight
  • 1992 964 911 RS N-GT “Macau”
  • 1994 964 911 RS 3.8
  • 1995 993 911 Carrera RS
  • 1995 993 911 GT2

As part of the exhibition’s preparations, my long-time friend and creative partner, James Lipman, flew to NY and shot the collection in studio, for an accompanying book that will document the collection at this moment in time. The photos seen here are by James.

Steven was responsible for introducing James to the profound effects of immersion in the social scene that surrounds air-cooled Porsche life across North America, particularly in California, where the light hits just right. James’ enthusiasm for a trip to the Baja California taken with Steven sometime in early 2009, and the wonderful images that came out of that trip, led to his selling me on the idea of doing some work out there in May of that year. This was our first R Gruppe Treffen, where we shot the two SWB 911s of Bob Tilton and Chris Nielsen that inspired a raft of work over the next two years and forged lifelong friendships.

Steven’s formative influence does not end there. An esteemed career in architecture has included professorships at Harvard, Yale and Princeton and the work of Steven Harris Architects LLP may be seen all over the world. It is my privilege to have stayed in Steven’s own house in upstate NY and to have briefly experienced what it is to exist inside the vision of a professional whose work I greatly admire.

Combining an achitectural vision with a deep understanding of air-cooled Porsche culture and history (not to mention a keen awareness of market activity) has created to the collection that is partly shown at Saratoga, including several Amelia Island Concours d’Elegance winners. I urge anyone local to the museum to visit and experience Steven’s cognitive precision as expressed through his collection, and to enjoy what blending true passion for these cars and a genetic understanding of what great design looks like can accomplish over time.

About the Saratoga Automobile Museum

The Saratoga Automobile Museum is located within the 2,500-acre Saratoga Spa State Park, in the heart of historic Saratoga Springs, New York. Famous for its legendary one-mile thoroughbred track, the Museum’s facility is the fully restored and renovated New York State Bottling Plant, a beautiful neoclassical structure completed in 1935. 

The Saratoga Automobile Museum was chartered in 1999 and officially opened to the public in June 2002, with a mission to preserve, interpret and exhibit automobiles and automotive artifacts. The museum celebrates the automobile and educates the general public, students and enthusiasts to the role of the automobile in New York State and the wider world. In addition to technical and design aspects, the educational focus is on past, present and future social and economic impacts of the automobile.

New Bids on the Block

New Bids on the Block

The online classic car auction scene has taken off since the first lockdown and I’ve been kept busy inspecting auction cars for sale, including all sorts of classic cars offered through On The Market and Collecting Cars. Now there’s a new online auction seller – Manor Park Classics – whose first sale on April 27th includes a pair of longhood Porsche 911 Targas.

I don’t know much about Manor Park Classics, but their web content appears to be the polar opposite of my taste in content, so it’s no surprise that the name is new to me. The debut auction currently stands at 137 lots: five motorcycles, various items of automobilia and number plates and around 92 cars if my maths is correct.

The sale includes several lots from the Vauxhall Heritage Collection, which will be offered at no reserve, including nice examples of basic Vauxhalls such as the Nova and original Viva. The other lots run the gamut, from Bentleys and Rolls-Royce to low mileage Jaguar XJS, several MGs and classic Minis and a handful of other run-of-the-mill bits and pieces that caught my eye, including a low-ish mile E28 520 at a fairly chunky guide price of £8-10k. I had quite a few E28s back in the day and I do love these cars. My mother began her driving career in a 1974 Renault 6 similar to the LHD 1972 example on offer with another perhaps optimistic guide of £5-6k, but we’ll see how that one does.

The first Porsche for sale is a 1973 RHD Porsche 911 E Targa in Gold, retaining its original tan leather trim but with a recent engine and gearbox rebuild costing some £8.5k. This is a decent engine out service on an MFI car atsome specialists so it is worth knowing what this rebuild entails. The 911 2.4E is my favourite longhood variant so that is a positive if the rest is up to scratch. Auction cars rarely are, so inspect things carefully before bidding.

The other 911 for sale at auction is a 1967 LHD Porsche 911 2.0 Soft-Window Targa in Golf Blue with black trim. In the UK since 1999, this car appears to be quite a good example, having come from its original owner with a huge pile of provenance and offered with body restoration bills for over £21k in the last few years. No mention of who this was with or what panels were replaced and that is important to know. Guide on the soft-window Targa is £90-110k. Bear in mind that there is a 15% Buyers Premium payable on all bids.


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