by John Glynn | Feb 3, 2014 | Classic Porsche Blog, Porsche News
Excellent email from a Ferdinand reader in Brazil, who shares this picture of his family’s Porsche 356 Speedster. This 356 Speedster was originally owned by Ferry Porsche.
Bought by his dad in 1981, the car came via a young Brazilian Porsche racer who was sadly killed at Le Mans, then a local businessman and through a series of family friends. Eventually found unloved and in need of restoration, the Speedster was brought back to life and has been enjoyed as a living, driving entity ever since.
“It’s not a concours car by any means,” says the owner, “but it is in good shape. We like to drive it on weekends, and go to our local events, so we prefer to have a road-going car, than just a piece of art standing still.”
I’m getting a few more details. It’s an early chassis number for the Type 2 models, shown on the Porsche Kardex as a “Versuchwagen” fur T-2 (T2 prototype), and listed as first owned by Ferdinand Porsche Junior (Ferry Porsche).
Absolutely super cool. Colour changed from Aquamarine to Red somewhere down the line, but easy change it back if you consider that important. Ferry would be happy that it’s still in use and bringing joy.
by John Glynn | Jan 28, 2014 | Classic Porsche Blog, Porsche News
We’re familiar with pictures of Ferdinand Porsche in dark hat and overcoat, or in three-piece tweeds, looking through a wheel. These senior pics have kindled a soft, shed-tinkering grandfather image. But here’s a pic you might not have seen before, which proves he was once a young thruster, keen to get ahead.
Now, the Porsche Museum has rescued the vehicle he designed for his success: the Egger-Lohner C2 Phaeton. This first-ever Porsche design has been brought back to Stuttgart and will be officially unveiled on January 31st: the museum’s fifth birthday.
Ferdinand Porsche P1
Porsche called it the P1 (Porsche 1), engraving the designation into its main components (below). As with so much of Ferdinand’s early work, it was powered by electricity, with a compact drivetrain weighing just 130 kilograms. This 1898 vehicle had a range of up to 50 miles, with a switchable body for summer and winter. Excellent!
In 1899, Porsche raced his creation at the international vehicle exhibition in Berlin: centre of the motoring universe. Over a 25-mile course and with three passengers on board, Porsche drove his own P1 to victory, 18 minutes ahead of his nearest competitor. The man was a proper legend.
Porsche is presenting the P1 as a historical artefact, prefacing Porsche’s early commissions and his later work. No over-restoration and no recreations: kudos to them for making it so. I urge you to visit Stuttgart and learn more about Ferdinand and the P1 at the Porsche Museum. Entry is free all weekend over Feb 1st and 2nd.
by John Glynn | Jan 19, 2014 | Classic Porsche Blog, Porsche News
Sorting through my archives yesterday, I uncovered some Porsche Museum pictures from a trip to Stuttgart in December 2010. This one shows a 917, RS Spyder, Cisitalia engine, 904 chassis, 3.2 Club Sport prototype, 993 RS and 936 scale recreation, as well as a special 996 we weren’t allowed to photograph.
The Porsche Museum is closed every Monday. This is a day for building maintenance, but also the day where invited Porsche guests (and common-or-garden journos like me) get to view the collection in relative quiet.
I say relative, as our visit included a Cup Car start-up in the museum’s sound theatre, and a 917 start downstairs in the museum workshop. It was definitely a day to remember.
Porsche Museum Pictures
What Porsche says about its museum: Enjoy a close-up experience of the history of Porsche. Encounter legendary racing and sports cars, fascinating production models as well as unusual prototypes. More than 80 vehicles will take you from the early years all the way to the present days of Porsche’s history.
by John Glynn | Jan 8, 2014 | Porsche News, Project Cars
To celebrate the 911’s 50th anniversary, Porsche Centre Madrid Norte held a live art event, where the artist VILLOTAF brought his vision to a pre-prepared 964 Porsche art car. Much of this video is in Spanish, but watch through to the performance: I know some of you will enjoy it.
Before making your conclusions, take some advice from the late Freddie Mercury. “Modern paintings are like women, you’ll never enjoy them if you try to understand them.”
by John Glynn | Dec 21, 2013 | Classic Porsche Blog, Market & Prices
Just reading an (unpublished) draft post from a few years back on my Classic Porsche Blog, where I spotted a perfectly-preserved 1977 911S Targa in the corner of Tuthill’s yard and mused on how the 2.7 S Targa was once the runt of the 911 line – I mean the absolute worst car you could possibly aspire to – but now would be valued at £30k+ for insurance. Anyone who thinks a 2.5 Boxster Tip will never go up in value should remember the 911S. Porsche may have built thousands, but one day there won’t be so many.
Over breakfast, BBC 6 Music played a 1977 Peel session track from The Jam, introducing it with a BBC interview with the band from the same year. “Are you punks?” asked the interviewer. “This time last year, everyone under 20 who played music was a punk,” said Bruce Foxton with a very deft negative. “If you tell me what punk is, I’ll tell you if we fit,” said Weller with another. “We just want to play, to keep getting better, and not be shoved in a bracket. You can already hear music that’s going to last coming out of the movement.”
The trio’s music has certainly lasted. I’ve still got a 6-disc CD changer in my Cayenne (albeit about to go), and one of those discs is The Jam’s “In the City“. Still a visceral listening experience, it’s an electric ropeladder of escape from three guys who know their music has to reach out and be real. Reviewing the album for Record Mirror (who remembers that?!), Barry Cain wrote: “armed and extremely dangerous, The Jam stalk the decrepit grooves. If you don’t like them, hard luck: they’re going to be around for a long time. Seldom do albums actually reflect pre-20 delusions, but this one does.”
The best new music of 1977 continues to engage new listeners. I’m thinking The Jam, Donna Summer/Giorgio Moroder, Sex Pistols, or Billy Joel’s The Stranger (instantly wish I was in New York every time). In such lofty aural company, flat six sounds from a 911 Targa seem to sit just right. No wonder values are rising for cars this classic.
